Studies in the Transition from Medieval to Renaissance Tuning Paradigms

transition titlepageThe author explains how tendencies within the structure of the Pythagorean chromatic scale supported the transfer to Just Intonation; however, certain features of Just Intonation necessitated  the application of some form of temperament. The meantone temperament formed the best compromise for the musical styles that were being explored. The author aims at a co-relation between tuning paradigm and associated musical style.

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